Studio 15
Music, Space and Design
Sound, rhythm, and the visual response
Six days connecting sound, breath, rhythm, and visual form — with classical music, Kolam, Vedic chanting, and your own creative output.

When
20–25 July 2026
Six full days · 10am–5pm
Where
CU Global Campus
Devanahalli, Bengaluru
You earn
2 Credits
Certificate of Completion
for external participants
Open to
All Students
UG, PG, PhD across schools + external participants
What you’ll do
This studio explores the fundamental relationship between sound, rhythm, visual form, and human perception. At its core, it investigates how sound influences movement, space, design, emotion, and artistic expression across disciplines — music, visual arts, craft, and embodied learning.
Through experiential and practice-based learning, you’ll engage with concepts such as Sur, Omkara, swara, laya, resonance, vibration, and breath awareness — understanding sound not only as an auditory phenomenon but as a spatial, visual, and emotional experience. Traditional knowledge systems including Kolam practices, Vedic hymns, and musical alankars are used as interdisciplinary tools to examine pattern, rhythm, geometry, symbolism, and memory.
You’ll be invited to translate listening into visual and creative responses through drawing, colour, texture, movement, and design composition. By connecting akshara (syllable), swara (musical note), and laya (rhythm), the course aims to build sensitivity to pattern, harmony, and aesthetic relationships across art forms — and to show how traditional artistic practice can inform contemporary approaches to design, learning, and well-being.
What you’ll walk away with
- An understanding of the relationship between sound, form, rhythm, and space
- Practical exposure to Sur, breath, resonance, and rhythm through exercises in Omkara, Swara, and Vedic chanting
- Sharpened attentive listening and observational skills
- Basic practical practice in Kolam art and related symbols
What you’ll make
A final interdisciplinary studio project that translates sound, rhythm, and musical experience into a visual, spatial, or performative outcome. The deliverable may take the form of an installation, visual artwork series, sound-responsive design composition, performance, process journal, short film or video, or collaborative exhibit — reflecting your own exploration of swara, laya, resonance, pattern, and sensory perception across the week.
The final presentation will demonstrate how you interpret and connect concepts such as Sur, Omkara, Vedic sound traditions, Kolam structures, alankars, and raga-based listening exercises into an original creative expression. You’ll be encouraged to combine multiple mediums — drawing, colour, movement, sound, material experimentation, spatial design — to create immersive, experiential work.
Your six days
| Mon | Introductions. Understanding sound, form, rhythm, and space (Sur and Omkara practice). Listening session. |
| Tue | Patterns and alankars through Kolam art — exploring the connection between visual patterns and musical alankars using traditional Kolam as a medium. |
| Wed | Sound through Akshara, Swara, and Laya. Pronunciation, rhythm, and tonal structure through music and Vedic hymns. |
| Thu | Swara and symbol — introducing swaras through visual interpretation. Basics of ragas and compositions in classical music. |
| Fri | Semi-classical forms — dadra, ghazal, hori, chaiti, bhajan, film music. |
| Sat | Final assessment and presentations. |
Sessions run full-day (approx. 10am–5pm). No more than 1–2 hours of theory per day; the rest is hands-on.
How you’ll be assessed
- Depth of engagement with course concepts and practices
- Creativity and originality of interpretation
- Ability to connect sound, rhythm, and visual expression meaningfully
- Process documentation and reflective understanding
- Craft, presentation, and experiential quality of the final work
- Participation in discussions, listening exercises, and studio activities
What to bring
Papers, pencils, and coloured pencils or sketch pens. The studio provides speakers, microphone, and a board with chalk.

Registration Opens
20th May 2026
- Free for CU students
- Paid for external participants

Questions about a Studio?
Reach out to the Studios Coordinator. Happy to talk through any of the courses, what to expect day-to-day, or whether a particular Studio fits where you are in your learning right now.
Studios Coordinator
Anand K Sharma
cu.studios@chanakyauniversity.edu.in
+91 88930 33233
Campus
Chanakya University Global Campus
NH-648, Haraluru–Polanahalli
Near Kempegowda Intl. Airport
Devanahalli, Bengaluru — 562165